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pryvateid:

My original fave song on the EP.

Song of the Day:

Miguel “All” on his EP ‘Art Dealer Chic Vol. 2’

Apr 03. 4 Notes.

(via niasago)

epicpenguinexplosion: Lmao, oh god yes. People hate you? Give the motherfuckers a real reason to hate you!

epicpenguinexplosion:

Lmao, oh god yes. People hate you? Give the motherfuckers a real reason to hate you!

(via niasago)

Apr 03. 16 Notes.

(via xoxorachany)

(Source: xoabbyy, via xoxorachany)

(Source: euphoniousx, via niasago)

[Flash 9 is required to listen to audio.]

all we got is each other,

the truth is obsolete.


(Source: breaking-toes, via breaking-toes)

Feb 12. 3 Notes.
genius.

genius.

(Source: sexywithabitofganster)

slavetothewobble: James Roper - Paroxysm “By constructing abstract bodies formed from multiple elements these works mimic the complex bodily structures found within nature. Biological machines such as the human body process and retain energy and any processes placed under restraint will result in an intensification of it’s eventual release. The work attempts to portray this intermediate state as control gives way to chaotic abandon and a transition occurs from one state to the next. I am heavily influenced by the excessive and sensuously rich imagery of Baroque art and it’s depiction of the unfettering of religious restraint. Instead of the gentle ushering of the spirit towards the heavens my paintings spit, ejaculate, regurgitate and projectile vomit the spirit out, rejecting it’s bodily form in a fit of maniacal hysterics, a nonsensical reflexive outburst like the spasmodic speaking in tongues of those ‘slain in the spirit”

slavetothewobble:

James Roper - Paroxysm

“By constructing abstract bodies formed from multiple elements these works mimic the complex bodily structures found within nature. Biological machines such as the human body process and retain energy and any processes placed under restraint will result in an intensification of it’s eventual release. The work attempts to portray this intermediate state as control gives way to chaotic abandon and a transition occurs from one state to the next. I am heavily influenced by the excessive and sensuously rich imagery of Baroque art and it’s depiction of the unfettering of religious restraint. Instead of the gentle ushering of the spirit towards the heavens my paintings spit, ejaculate, regurgitate and projectile vomit the spirit out, rejecting it’s bodily form in a fit of maniacal hysterics, a nonsensical reflexive outburst like the spasmodic speaking in tongues of those ‘slain in the spirit”

(via brown-steve)